Deeply inhabited by science-fiction, DJ, producer and artist Jeff Mills adopts its ideas, concepts, stories and esthetics from the outset. For him, Space is an obsession and his music almost becomes a musical science-fiction. Conquering space, his music embodies the future while both respecting the past and remaining well into the present. When he founded his own record label Axis in 1992 -a logo consisting of four triangles pointing to an invisible center-, Mills takes the rotating principle of the solar system as aesthetics, concept and model for creativity. From the beginning, his first releases explore futuristic and science fiction topics such as “Mutant theory,” “Tomorrow,” “Art / UFO”, “Time Machine” and “Alpha Centauri”.
For Jeff Mills, the future is a powerful creative drive which explains the artist’s ceaseless activity.
The 2000s, is a turning point in Mills’s artistic career. Jeff Mills has never wallowed in his DJ status and kept on multiplying outstanding performances. When creating Fritz Lang’s “Metropolis” soundtrack in 2000, Jeff Mills takes up with his prime inspiration made of utopia, futuristic thought and a real passion for the extraordinary worlds and scenarios offered by science-fiction. He is the master of extraordinary scenarios and borrows from science fiction the common man’s notion of Tomorrow (redite). In 2001, he conceives “Mono”, a monolithic sculpture and installation inspired by Stanley Kubrick’s film “2001: A Space Odyssey” which was exhibited at the CCCB Museum during Sonar Festival in Barcelona.
Mills keeps on fusing his love for music and image. Reframing his extraordinary DJing skills in 2004 when he released “The Exhibitionist”, a real-time, unedited films capturing Mills in creative DJ motions. A multi-angle filmed collection of DJ sets, allowing him to both approach video production, while beautifully complimenting his art form on the turntables. In 2005, he released AX039 “Expanded“ with the consciousness of creating for Future generations, as oppose to creating for now. Expanding his mind became more important than the Music production itself and he took a strong interest in things that would provoke and question his thoughts about The Future. Science-fiction being one of them.
“Sleeper Wakes“ – a science fiction series.
The Wizard likes to take his inspiration from the little music of the cosmos and keeps his head well ahead, in the stars.
Since 2006 Jeff Mills created and wrote a story of life and obscure times of a fictional character that would eventually be called The Sleeper. With each chapter of the evolving story, the character gets increasingly deeper into plots that have so far, traveled the universe in search of new Worlds (“Sleeper Wakes”), contracted an unknown virus resulting into controlling electricity (“The Power”), to the end of Humans (“The Messenger”) and the eternal search of purpose and meaning (“The Jungle Planet”). In 2013 Jeff Mills has collaborated with Japanese astronaut Dr. Mamoru Mohri and released the album “Where Light Ends“, inspired by Mohri’s first trip into space, aboard the Endeavour Space Shuttle in 1992. The “Emerging Crystal Universe”, released in September 2014 as a limited object of art is the 8th chapter of this series and the 9th chapter “Free Fall“, announcing a cosmic menace, is out in June 2016. To be continued.
Jeff Mills has collaborated with symphonic orchestras since many years and was the first DJ to perform and capture it on DVD for a wider audience.
It all began with the Montpellier National Orchestra in 2005 at Le Pont du Gard, France. The piece was called “Blue Potential” and had been arranged for orchestra by the young French composer Thomas Roussel. In 2012, Jeff Mills played a new version of this orchestral project, now called “Light from the Outside World”. Several concerts are scheduled over the world in the following years. In 2013, Jeff Mills presented a new piece called “Where Light Ends”. A third project, inspired by Holst’ “The Planets” premiered in 2015. All these performances have always been sold-out shows. This shows the techno fans have been waiting for such opportunities, besides that fact classical audience can find new music.